
Michelet
Challenge
The tournament had to fit the length a reel can hold, and still be the same campaign.
What we built
Michelet Open, cut for the feed.
- 1Campaign, cut for the feed
- 9:16The length a reel can hold
Studio
Video & Content
Marketing video, then the reels, stories, and posts cut from it. One brief, one voice, ready for the placement that will actually run them.



The pressureA strong edit that says something different from the ad is a second campaign.
The outcomeAds, reels, and posts share one offer and one line.
The pressureOne file squeezed into every slot never fits the reel, the story, and the ad.
The outcomeLength, crop, and the first frame follow where the piece will run.
The pressureSanto Domingo and Toronto do not watch in the same language, or on the same placement.
The outcomeEach market gets a complete cut. The standard of the edit does not change.
01
The offer, the audience, and where it will run are set before the edit starts.
02
Footage, type, and the brand's color land in one frame.
03
The marketing video, then the social versions. They share the line and the picture.
04
Files go out in the formats the ad account and the feed actually use.
The brief, the campaign edit, and the social cuts are one piece of work.
The marketing video, cut to the length the ad needs. The first seconds carry the offer.
Reels, stories, and shorter posts from the same edit, so the feed sells the same thing as the ad.
Length, placement, and the next step are decided before the edit starts.
Type, color, and the mark land in the frame, not as a template laid on top.
A cut for Santo Domingo and a cut for Toronto can each be complete.
Files in the formats the ad account and the feed actually use.

Challenge
The tournament had to fit the length a reel can hold, and still be the same campaign.
What we built
Michelet Open, cut for the feed.

Challenge
A treatment had to be shown from the place it happens, not described over a stock frame.
What we built
The work, from the chair.
You see the picture before the social cuts are made.
The offer, the audience, and where it will run. Length and the next step are set here.
Footage, type, and the brand's color land in one frame.
The marketing video, then the reel, the story, and the shorter ad.
Files in the formats the ad account and the feed actually use.
One brief, the campaign edit, and the social cuts from it. Reels, stories, and posts keep the line, the type, and the color of the ad.
Length, crop, and the first frame follow where the piece will run. A reel, a story, and a shorter ad are different cuts of the same picture.
Yes. The language follows the market. A cut for Santo Domingo and a cut for Toronto can each be complete.
You see the picture before the social cuts are made. The reel, the story, and the shorter ad then share that line.
You do. Your website, domain, ad accounts, and creative assets belong to your business. If we ever part ways, everything stays with you.
Pricing depends on scope, whether it's a single project or ongoing monthly services. After a discovery call, you'll receive a clear proposal with no hidden fees. Ad spend is paid directly to the platforms and is separate from our fee.
Video & Content
Tell us the offer and where it needs to show up. On the call we map the edit, the cuts, and the placements.